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#1 The Need to Redefine
#2 The Myth Called Circus
#3 Who Gets to Build the Future?
Encounter #1
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Encounter #2
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Relay Interviews
Encounter #3
Encounter #4
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Negotiating Distance
Is there a way out of here?
Thinking Through Circus
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ANECKXANDER
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Always / Beautiful

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Agamben, G. (2009). What is an apparatus? and Other Essays. Stanford: Stanford University Press.

Behar, R. (1996). The Vulnerable Observer: Anthropology that breaks your heart. Boston: Beacon Press.

Berkeljon, S. (25/02/2012). Authenticiteit is nep. De Volkskrant. http://www.volkskrant.nl/archief/-authenticiteit-is-nep~a3201937/

Blondeau, C. & Quentin, A. (2009). Johann Le Guillerm à 360°. Arles: Actes Sud.

Bourriaud, N. (1998). Relational Aesthetics. Dijon: Les Presses du Réel.

Caillois, R. (1958). Les jeux et les hommes. Paris: Gallimard.

Bohm, D. (1999). On dialogue. London/New York: Routledge.

De Cauter, L. (2009). Archeologie van de kick: Over moderne ervaringshonger. Nijmegen: Vantilt.

Devens, T. (2004). De Vijfde Wand: Reflecties over figurentheater en circustheater. Gent: Pro-Art.

Doorman, M. (2012). De Romantische orde. Amsterdam: Prometheus/Bert Bakker.

Doorman, M. (2012). Rousseau en Ik: over de erfzonde van de authenticiteit. Amsterdam: Prometheus/Bert Bakker.

Foucault, M. (1975). Surveiller et punir: la naissance de la prison. Paris: Gallimard.

Foucault, M. (1983). The subject and power. In: Dreyfus, H. & Rabinow, P. (Eds). (1983). Michel Foucault: Beyond Structuralism and Hermeneutics. Chicago: The University of Chicago Press, pp. 208-226.

Guy, J.-M. (Ed.). (2001). Avant-garde cirque! Les arts de la piste en revolution. Paris: Editions Autrement.

Haegens, K. (2016). Niemands slaaf: verlangen naar de innerlijke grens. De Groene Amsterdammer, Jrg. 12(140), pp. 36-39.

Hermans, H. J.M. (2001). The Dialogical Self: Toward a Theory of Personal and Cultural Positioning. Culture & Psychology, 7(3), pp. 243-281.

Hertmans, S. (2007). Het zwijgen van de tragedie. Amsterdam: De Bezige Bij.

Hivernat, P. & Klein, V. (2010). Panorama contemporain des arts du cirque. Paris: Editions Textuel.

Hudek, A. (Ed.). (2014). The object. Cambridge: The MIT Press. London: Whitechapel Gallery.

Jacob, P. & Raynaud de Lage, C. (2005). Extravaganza! Histoires du cirque américain. Montreuil-sous-Bois: Editions Théâtrales.

Johnson, P. (2016). The Geographies of Heterotopia. Geography Compass, 7(11), pp. 790-803.

Kelly, M. (2003). Playing with Dead Things: On the Uncanny. In: Kelley, M & Welchman, J.C. (2003). Foul Perfection: essays and criticism. Massachusetts: MIT Press., pp. 70-99.

Lehmann, H.-T. (1999). Postdramatisches Theater. Frankfurt am Main: Verlag der Autoren,

Lepecki, A. (2011). 9 Variations on Things and Performance. In Elke van Kampenhout (Ed.), Thingly Variations in Space. Brussels: MOKUM.

Lievens, B. (2014). Het circus zoals het is: over de geregisseerde authenticiteit van Ensor en cirQ Batavaria. Etcetera 138, Jrg. 32, September 2014, pp. 16-20. Online version: http://e-tcetera.be/het-circus-zoals-het-is/ (+ See pdf.)

Lievens, B. (2014). Het lichaam als slagveld: over circus en object. Etcetera 139, Jrg.32, December 2014, pp. 54-58. (See pdf.)

Lijster, T. (2016). De grote vlucht inwaarts: essays over cultuur in een onoverzichtelijke wereld. Amsterdam: De Bezige Bij.

Nassim, N. T. (2012). Antifragile – Things that gain from Disorder. New York: Random House.

Mouffe, C. (2005). On the Political. London/New York: Routledge.

Purovaara, T. (2012). An Introduction to Contemporary Circus. Helsinki: STUTS.

Rancière, P. (2008). Le spectateur émancipé. Paris: La Fabrique Editions.

Rushkoff, D. (2013). Present Shock: When everything happens now. New York: Penguin.

Schechner, R. (1988). Performance Theory. London/New York: Routledge.

Schulze, D. (2017). Authenticity in Contemporary Theatre and Performance: Make it Real. London/New York: Bloomsbury Methuen Drama.

Sontag, S. (2003). Regarding the Pain of Others. London: Penguin Random House.

Sontag, S. (1975). Fascinating Fascism. The New York Review of Books, February 6, 1975 Issue.

Steiner, G. (1961). The Death of Tragedy. London: Faber & Faber.

Tait, P. & Laver, K. (2016). The Routledge Circus Studies Reader. London/New York: Routledge.

Van Kerkhoven, M. (2002). Van het kijken en het schrijven: teksten over theater. Leuven: Van Halewyck.

Valéry, P. (1973-74). Cahiers. Paris: Gallimard. Translated into Dutch by Maarten Van Buuren in: Valéry, P. (2004). De macht van de afwezigheid/ “Het geheugen is de toekomst van het verleden”. Utrecht: Historische Uitgeverij.

Vermeulen, T. & Van den Akker, R. (2010). Notes on Metamodernism. Journal of Aesthetics & Culture, Vol. 2(1).

Wallon, E. (Ed.). (2013). Le Cirque au Risque de l’Art. Arles: Actes Sud – Papiers.

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